Monday, 28 February 2011

The tour begins! Hollywoodland

My bodyclock is telling me it's lunchtime but the hotel clock says 4.30am. Uurgh.
So, arrived in LA yesterday and tried to get down to the Oscars, just to cheer on Christian Bale. Obviously my presence was just enough to tip the scales and HUZZAH! A well deserved Oscar, methinks.
Couple of things I try and do when abroad.
1. Walk about a bit. I love exploring cities by foot and, having looked at the map, thought I could stroll down to the Kodak Theatre and join the heaving crowds. But Hollywood Blvd is INCREDIBLY LONG so by the time I got there, everyone had gone in. By the time I got back I'd missed Christian's acceptance speech. Damn it! However, first impressions? I've never met such glamourous hotel staff. I'm assuming everyone here is an actor between jobs but the concierge of the hotel could have been a catwalk model and the guy at the desk was so good-looking thoughts of Christian momentarily vanished from my mind. Suffice it to say I decided to stay away from the hotel pool, given the six-packs on display.
Later today I meet some people (so will try and get some sleep in) then tonight I'm flying to Chicago which is like almost all the way back across the continent. Oh joy.
Really excited about finally meeting Rachel Hawkins. I'll find out if what they say aboout her is really true. I hope not. I feel terribly intimidated by talented writers.
The photo above is the venue for the Vanity Fair party, which is apparently THE post-Oscar party party to go to. It's the first time I've seen traffic attendents in ballgowns.
The plan is the blog will serve as a travel/tour diary of sorts and a way of monitoring sleep deprevation as we skip from time zone to time zone.
Next blog should be from Chicago.
Have a good (rest of the) night.

Wednesday, 23 February 2011

Would never have happened if I'd stayed in the day job

Well, it wouldn't. No matter how good an engineer I was, no matter what I'd designed or built, I would not have got a meeting in Hollywood.
A few weeks ago I contacted my film agent. There's someone he'd like me to meet. This person is incredibly busy BUT since I was in the US, maybe, just maybe, a meeting could be arranged, if I was up to it.
Like I was going to say no.
So, since I have NOTHING ELSE TO ADD (that will hopefully be all post-meeting), we'll play the 'who'd you like to play Billi/Arthur/Kay etc' game.
Billi - well, first choice would have to be Leslie Conor, who's Billi on the book covers. Next would be Jessica, back when she was a brunette.
Arthur- Has to be James Purefoy. I know it should have gone to Christian Bale but James has been doing a lot of sword-work recently and, God-dammit, is playing a Templar in his next movie. Sorted.
Micheal- Aiden Turner from Being Human. Oh Lord, he's gorgeous and has a very definate dark side. Being Human, how TV should be.
Ivan- We're going for Ben Barnes. He was excellent in Dorian Gray, aristocratic, cruel and elegant. Perfect for my Russian prince.
Kay is a younger Paul Bettany. He's doing quite a lot of supernatural stuff right now and recently played the Archangel Michael in Legion.
Gwaine would be Michael Rooker, out of the Walking Dead. Grim, gritty, grey and a total nutter. We like.
It's become quite sureal, all this. I don't quite know what to make of it. I'm having breakfats and then think, 'Bloody hell, I'm going to Hollywood next week' but most of my energy is sorting out who's collecting the kids from school while I'm gone. However, I will be ironing my shirts, now that's something that happens all to rarely in this household.
The US tour with Rachel Hawkins begins next week. I'll keep you updated on the travels and tribulations throughout. If you're around, do pop by and say 'hello'. Bring pie if you can. And who knows, I may have something to announce while I'm there.
Oh, gosh, I DO have something else to announce! Just waiting on some people. It's all good, folks!

Sunday, 20 February 2011

Kiss Me, Kill Me, Part 7 (what, already?)

White Cat by Holly Black.
Gangsters. Gangsters with magical powers. It’s one of those ‘slap head and why didn’t anyone think of this before?’ sort of ideas.
White Cat is about the curse workers. It’s set in a world like ours but one where magic is established, well known and feared. Unlike a lot of paranormal fiction where all the magic stuff happens behind the scenes and the greater public live their daily lives completely ignorant of the vampires, werewolves and what-nots living amongst them here the magicians (curse workers) are a part of society, even if it’s the criminal part. It that sense White Cat is similar to Tru Blood, the vampire series about the vampire world attempts to integrate with the normal, mundane world.
Poor Cassel Sharpe. His mother and both his brothers are cruse workers. His mother can manipulate emotions, his brother Philip is able to inflict serious physical damage with the lightest touch and his other brother, Barron, can alter memories. Cassel’s grandfather was a death worker. You get the idea. Cassel is like the runt of the litter. The only non-worker in his family.
The set up is this. Workers are feared and mistrusted. Society has developed charms of protection and as workers can only do their work through the touch of their fingers everyone in society wears gloves. The practice of curse work is outlawed so it’s gone underground. It’s the criminal families that recruit and use curse workers, to be a worker is synonymous to being a member of the Mafia.
Cassel may not be a worker, but he’s every bit the criminal as the rest of his family. He’s a con-man. He’s always playing the angles. But he doesn’t realise the angles being played on him. White Cat is the slow unravelling of his life as he sees that he’s been the victim of a con far exceeding anything he’s played, and the story’s about his attempts to turn the tables on the other players.
Holly’s built a beautifully logical world. Australia has a higher percentage of workers because the original settlers were criminals. Prohibition of curse working in America brought on the rise and power of organised crime. Being a worker has its own risks, blowback, when you work some magic the magic works you too.
There are so many different types of curse worker. Death worker. Luck. Emotions. Memory and Transformation, the last the rarest and all but vanished. There are those trying to force workers to register and come out of hiding, there are those who fight for worker rights and stop the discrimination. There’s so much going on in the background that’s just as fascinating as Cassel’s own story.
Cassel’s a fascinating character and you certainly don’t envy his home life, every one of his family is trouble. He’s hiding his own dark secret, a murder he committed three years previously that his brothers covered up for him and it’s that murder that causes his life to fall apart in White Cat. Like the best gangster stories its about honour, betrayal, bloodshed and power.
After some trouble with her bodyguards I was able to get in touch with Holly Black. I must say, those Russian Mafia types have no sense of humour and I will be sending them my medical bill.

1. The world setting of White Cat is very elaborate. One of the clichés about urban fantasy is that despite events happening in the here and now, they never really affect the real world. White Cat’s very different. The workers are an integral part of society. People hire them for blessings, for beatings, to make sure business goes right for them or badly for their rivals. You establish that charms are very common since people need to defend themselves against being worked and everyone, but everyone, wears gloves. How much time and effort went into building the ground rules for your world?
H: First of all, thank you so much for your incredibly kind and thoughtful review. I am so glad you liked the book!
In answer to your question – I guess I spent quite a bit of time creating and tweaking the rules of the world. Because I had previously been writing books about faeries and had so much folklore to draw on, this was an opportunity to make up something very different. I wanted the magic to feel thematically tied to the crime element. And also, because the world is an “open fantasy” where everyone knows about magic, I wanted magic to impact the world. I think my favorite thing was figuring out that people wore gloves all the time – and then imagining the way that bare hands would become taboo.

2. One of the most fun aspects of Cassel is his elaborate cons, like trying to get the cat from the animal rescue. How much research did you do in this area?
H: Well, I am lucky to know lots of scammers, so that was helpful, especially in that scene. Also, I know some people who work in animal shelters, so I was able to talk over the scene with them.
I did a lot of research on cons in general and would heartily recommend a book called THE BIG CON. It breaks down the steps of many different classic cons and was invaluable. I also really loved a true crime book called SON OF A GRIFTER. Reading about a boy being brought up with an entirely different moral code (never go to the police; if you can steal it and don’t, you’re a sucker) was very instructive in thinking about Cassel.

3. There’s a very cool Russian vein running though this story. The lead gangster family is Russian, there’s a jewel said to have once belonged to Rasputin and the climax takes place in a restaurant called Koshchey, named after the fairy tale character. As a huge fan of Russian mythology I have to ask is this a theme through the books or are we going to see the more traditional Italian Mafia make an appearance?
H: Although we get to hear a little more about the Brennan family, the Zacharovs remain our primary connection to the world of organized crime in these books.

4. I love the idea of blowback. Can you tell us a bit about how this concept came about and what it is?
H: Thank you! Blowback is one of the ways that I limit the power of the curse magic in the books. Basically, a piece of each curse comes back at the person casting the curse. Every curse works the worker. To me, blowback feels like a natural consequence of magic, which is why I like it. I think magic should always have a cost.

5. Red Glove, the sequel, isn’t out for a while. Any minute clues you can give us? What have you planned for Cassel?
H: Without giving away too many spoilers for the first book, I think I can safely say that in RED GLOVE, Cassel has to decide what kind of person he wants to be. There are a lot of temptations in front of him – the biggest to do with love, all to do with power. As his grandfather tells him, “magic gives you lots of choices – most of them are bad.” He has to try and make the right choices.

Thanks to Holly for helping out on the KMKM tour. Phew, it's all feeling a little hectic. And there's still Melissa, Joy, Keirsten and Ally to come. If you've missed any, then click on the button somewhere on the right on this page. No, up a bit. Yes, there.
Okay, next Monday I will be in the US, touring around the wide open spaces, visiting schools and bookstores from California to Chicago and beyond! I will be the Robin to Rachel Hawkins' Batman, but that's because I've always thought I looked good in green shorts.
Hmm, I do have some additional stuff to tell you but forces beyond imaginings have told me to KEEP MY MOUTH SHUT. For now. Neveretheless, I can be bribed. If you do come along to any of the tour stops (see here), that would be great. If you bring pecan pie, that would be greater!

Wednesday, 16 February 2011

Do not try this at home!

I love TV. I think we're entering a golden age of tv viewing. So many channels but, at last, something worth watching. In fact, I'd like to be buried with my dvd collection. It'll keep me busy 'till Judgement Day.
So, I'd like to take you through my current list of fav programmes.
1. Mad Men. If you follow me on Twitter you'll know everything stops for Mad Men. The glamour, the awesomely, ridiculously good lookin' cast, Roger's quips and the drip drip drip storytelling. It's why TV was invented.
2. The Walking Dead. The series open with our protagonist blowing away a small child. Don't worry, the kid's a zombie, but still, kind of reminds me of something I once wrote...
Plus, I love a guy who can handle an axe. Left foot forward, leading with the right hand. A classic move. Zombie problem solved. I'm sure Arthur will be sending Rick an invite to join the Templars pretty damn soon.
3. Entourage. A change of pace and style. Hedonistic, sharp and with a deep, deep current of anxiety and fear. It's about a bunch of hangers on and their lead guy, Vincent. Handsome, charming, pretty shallow and that's probably for the best. Cool cool cool.